David Cronenberg's The Shrouds and Pedro Almodóvar's The Room Next Door find both auteurs still playing around the ...

Who shall I say is calling? Two NYFF62 standouts, Philippe Lesage’s Who by Fire and Nicolás Pereda’s Lázaro at Night, ...

Ehrlich's The Ballad of Suzanne Césaire and Mati Diop's Dahomey both probe the tensions of transmitting memory ...

Matías Piñeiro’s You Burn Me and Jem Cohen's Little, Big, and Far are both richly attuned to the surfaces of things ...

The past is present: the 2024 NYFF Revivals section featured films about labor and dreams, including Zeinabu irene Davis’s ...

In Guillaume Cailleau and Ben Russell’s documentary feature DIRECT ACTION, the viewer is dropped into the Notre-Dame-des-Landes commune, one of the most controversial ZAD (Zone à Défendre, or Zone to ...

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“This one line of dialogue goes on for about the last 23 minutes of The Texas Chain Saw Massacre (aka ’Saw 1),” says Tobe Hooper, who directed it. “It covers the infamous, excruciating Dinner Table ...

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Secrets are a lot like psychological versions of Chekhov’s guns. Stories that introduce them are really building up to the moment when they’re inevitably revealed. But writer-director Lulu Wang ...